"I aspire to know of what is the basement for the objective world that lies behind the ghosts of humanity’s conscious concepts. I put my efforts to find the exact shape, taste, touch of that substances which animate reality. I question if this World could be objective after all. I raise my art against modern dominance of rationalism, against racism of objectivity, toward liberty of being non-measured, non-discovered, not-studied, not-rated, not-compared, not-classified, against totality of delusion that phenomena of Life and Human can be explained. I state that it is sealed secrets.”

I perceive the digital environment as an idealistic space, inherently congruent with human consciousness. Within its “subconscious” and “non-narrative” affordances, I find the potential to articulate the phenomenology of existence. My focus lies in the philosophical and ontological reflection of computer technologies, examining their capacity to facilitate an experience of life equivalent with the transcendence of this phenomenon.

My practice simultaneously poses ontological inquiries and asserts emotional axiologies, identifying the structures of life’s essence where the answer often resides in a mystery that points toward the grandeur of Being. I encode concepts of socio-cultural and psychic life. In my view, every construct or phenomenon possesses its own mechanics and structure, constituting what Merab Mamardashvili termed an “organ of reality”—a specific form. I translate these meanings through abstraction: a direct proto-language of perception, stripped of conventional denotations. Thus, in this system, gold signifies not luxury but a universal—an aggressive statement of Being and a dimension perpendicular to mundane reality; a visual vertical becomes a dramatic intention or directedness (Vasily Kandinsky).

I seek forms for the phenomenology of existence: just as ontology describes the universal laws of Being, I employ abstraction to find the visual embodiment of life’s patterns. The digital space is the most appropriate medium for this: boundless and immaterial. It offers a spectrum of realization—from the idealistic and intangible (AR, VR, NFT) to the “corporeal” tangible phygital: 3D and unconventional 2D printing. I utilize an aesthetic of visual excess as an expression of the paradoxical complexity of modernity. It is a vibrating language encompassing the extreme scales of life’s spectrum—from the microscopic level of anatomy and micrographs to the macroscopic and cosmic—a language of life at scales revealed to us by technology.

I am interested in transcending the classical 2D Euclidean plane surface through 3D, curvilinear, and multidimensional spatial qualities. My objective is the invention of new modalities in art, that are living hybridizations of mediums: 2D, 3D, AR, physical particles integrated with the philosophical realm of ideas to comprehend and venerate the phenomenon of Life.

I do art illustrations and develop creative concepts for brands. During 15 years in the profession I worked in three countries and gained more than 30 prestigious design awards, including Design of the Year IDA (USA), Gold A’Design Award (Italy), Audi Best Practice, James Dyson Award and others. I’m a participant of design and art exhibitions in the USA, UK, Italy, Russia (including The Russian State Museum).

I worked with clients such as Audi and Stanford University, GenIII Oil Corporation and others. I led my own lecture series along with being invited speaker at renowned American and Canadian universities (Emily Carr University, Simon Fraser university, Louisiana State University). I hold my patent and produce design objects for brands and under my own label. Some of them gained viral popularity. Each of my design objects manifests creative concept: Sweater for people with Flaming hearts, Blanket for lovemaking, Mittens to like offline reality, Swimsuit that protects from drowning, 3d Digital sculpture-paintings as icons of LOVE.